Our Craft

THREE FORMATS, THREE EXPERIENCES

Each piece begins with a calibrated digital master derived from Peter Wirth's original composition. From there, three distinct production paths.

FINE ART PRINT (UNFRAMED)

Printed on Hahnemühle Photo Rag 308 gsm -- 100% cotton rag, acid-free, OBA-free, with a velvety matte surface. White borders of 1.0 to 2.5 inches frame the image on all sides. Shipped flat or in an archival tube.

FINE ART PRINT (FRAMED)

Printed on Hahnemühle Baryta Satin 300 gsm -- alpha-cellulose with barium sulfate coating for maximum tonal depth and gamut. Mounted behind an acid-free 8-ply mat with 45-degree bevel and white core. Glazed with conservation clear acrylic (99% UV protection). Two frame profiles: Block Frame (12x9, 16x12) with 1.625-inch face and 1.375-inch depth, and Tall Block Frame (24x18 through 48x36) with 1-inch face and 2.25-inch depth. Both in matte black solid wood.

ACRYLIC FACE MOUNT

Printed on LexJet Lustre and face-mounted behind quarter-inch polished acrylic glass on DiBond aluminum composite. Edge-to-edge, frameless, with a French Cleat mounting system.

QUALITY ASSURANCE

All prints and acrylic face mounts are produced at Bay Photo Lab in Scotts Valley, California. Every frame is hand-inspected before shipping. Gift and decor editions are produced by certified US print partners on archival-quality materials.